Gustavo Dudamel and the LA Philharmonic at the Barbican

We are just back from a concert of the Los Angeles Philharmonic and conductor Gustavo Dudamel at the world’s fourth best orchestra’s (London Symphony Orchestra) home, the Barbican, and it was a riveting performance. This 37 years young Venezuelan-Spanish composer and conductor seems to burst with energy. He is already conducting the 8th best orchestra in the world (LA Phil ), perhaps the coolest orchestra in the world (the Venezuelan youth orchestra), and if this weren’t enough, he’s taking on guest conductor assignments this year at the second best orchestra of the world (Berlin Philharmonic, with whom he’s touring Europe ) and the #3 (Vienna Philharmonic, with whom he’s touring America). The evening started with Bernstein’s Chichester Psalms. I’m no fan of Bernstein and never understood the hype about him, to me his music often has the touch of mere musicals and not classical compositions, I’m regularly missing proper depth, […]

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Royal Concertgebouw Orchestra at the Old Opera, Frankfurt

While Ms B was visiting Mr B from London in Frankfurt recently, we decided to buy surprisingly good value tickets (at €50 each, for stalls seats in the centre 20 metres away from the stage) to see the world’s best symphony orchestra, Amsterdam’s Koninklijk Concertgebouworkest, perform pieces of Haydn and Mahler at Alte Oper in Frankfurt. Gustav Mahler’s Symphony No. 4 was, as it happens, conducted by the composer himself at the 1904 Dutch premiere of his work. This time around, it was directed by the amazing Daniele Gatti, who took over the reins at RCO at the beginning of the last season. Alte Oper, who have a long-standing cooperation arrangement with this orchestra, were welcoming Mr Gatti for the first time since he joined them. (c) The Arts Desk (Featured image is by BerkeleySqB). Some in the audience (not us) were initially rather disappointed when it was announced at […]

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Haydn, an Imaginary Orchestral Journey with Sir Simon Rattle and the LSO

This photo is (c) Evening Standard

We are just back from our evening at the Barbican, where Sir Simon Rattle and the London Symphony Orchestra performed pieces of Wagner, Bartok, and Haydn under the headline of “Haydn, an Imaginary Orchestral Journey”. Sir Simon Rattle is currently finishing his tenure at the world’s 2nd best symphonic orchestra in Berlin (where his tenure ends in 2018) and will already take over the reins at the LSO, usually ranking #5 worldwide (#1 being Amsterdam, #3 Vienna, and #4 Chicago) in September this year. So this evening is a nice way of saying hello to his new home. He seems to be taking Brexit with good humour, but some say he would have made a different decision had he known about it. As expected, the evening was a brilliant experience. I normally dislike Wagner’s music, because in my mind it’s got the (unjustified, of course, I admit that!) feel of […]

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Pink Floyd Exhibition: Mortal Remains review

Let me state at the beginning: I’m not a Pink Floyd fan. If you are, then by all means go now and you’ll have a brilliant time. Should you go if you are not a fan? I guess, go ahead, if you think it might be for you and if you don’t mind the excessive admission price. The slogan of the exhibition is “Experience a spectacular and unparalleled audio-visual journey through Pink Floyd’s unique and extraordinary worlds, chronicling the music, design and staging of the band, from their debut in the 1960s through to the present day.” I’m not convinced that there is anything spectacular or unparalleled about the audio-visual journey. The exhibition uses more multi-media and innovative presentation methods than your average exhibition of – say – Rembrandt paintings, but in terms of innovation I wouldn’t give it more than 5 out of 10. Nearly everything that is cool […]

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